Leib on elu alus - Хлеб, всему голова - Bread is the Head of Everything

Livaleabori - Хлевная лаворатория - Bread Laboratory

Grupinäitus - Групповая выставка - Group exhibition Leib on elu alus - Хлеб, всему голова - Bread is the Head of Everything Avamine - Открытие - Opening Friday August 22nd, 5 PM Lahtiolekuajad - Часы работы - Opening hours Friday August 22nd, 3 – 7 PM Saturday August 23rd, 1 – 7 PM Sunday August 24rd, 1 – 7 PM JOALA 20, kõrval - рядом с - next to Narva Art Residency, Joala 18 in NARVA

Sissepääs on tasuta - Вход свободный - Admission is free

Since 2022 Tina Haber, Thomas Ravens, and Birgit Schlieps have been involved in the project SLICED BREAD – both as artists and curators. In January 2023, they curated the first group exhibition, SLICED BREAD, at Zwinger Galerie in Berlin.The exhibition sketched a symbolic-aesthetic landscape centered around the theme of bread, interwoven with economic and political contexts.

 

During their residency in Narva, they set up a temporary BREAD LABORATORY to engage in an exchange on the topic of bread with local residents and Estonian artists. For some people from Narva, the first thing that came to mind was the Russian proverb ‘Хлеб — всему голова’.

The results are presented in an exhibition in the former administrative offices of the Kreenholm factory at Joala 20, opposite the Narva Art Residence building. The exhibition is based on three sources: what they discovered in Narva, what people sent them per mail and what they carried in their luggage.

2. DAN

AIKIDO

2ème DAN...des années et des années après mon passage du 1.DAN

examen le 14 décembre 2024

au Dojo de Sensei Christian Goguet, Berlin

merci au jury composé de Christian, Ines et Stephanie

à mes ukes merveilleux, Christof et Oliver !

à Peter, Manfred, Stephanie, Dearhunter et Assaf pour leur patience pendant la préparation intense précédant l'examen

à Horst pour m'avoir permis de découvrir l'aikido au fil de mes premières années d'entraînement, Igor et Hillar qui m'accueillent dans leurs dojos en Estonie

 les collègues ...

MINU MAJA ON MINU MAA screening at Kunstihoone, Tallinn, January 11th

 
The film MINU MAJA ON MINU MAA is screened at Lindakivi Keskus, Lasnamäe, in the frame of Kunstihoone exhibition "Minu kodu meie linna", curated by Siim Preimann, Tallinn, January 11th, 17h

Closing event of the exhibition My Home, Our City on 11 January

 

The darkest part of the year is now behind us. As the days grow brighter, the dark, minimalist, cozy, and warm My Home, Our City exhibition at the Lasnamäe Pavilion – designed with the preceding gloom in mind – also draws to a close. On Saturday, 11 January, the penultimate day of the exhibition, there will be a final curator’s tour, followed by screenings of films by Eleonore de Montesquiou and Diana Tamane in the cinema hall of the Lindakivi Cultural Centre, next to the pavilion.
 

The exhibition My Home, Our City, curated by Siim Preiman, who has lived in Lasnamäe for years, is inspired by the location of the exhibition pavilion in the most densely populated area of Estonia. Through photos, films, and video games, it reflects on modernism, urban life, loneliness, home, community, and intimacy. During the exhibition tour, the curator will present the background and development of the display and draw visitors’ attention to key points on a symbolic journey from concrete to skin. The tour lasts about an hour and is conducted in Estonian.
 

Eleonore de Montesquiou’s 2001 film My House Is My Country presents stories of homes in Tallinn. Through the voices of women of different nationalities and ages, the film reveals narratives tied to specific places, sharing people’s dreams and everyday struggles. In the early 2000s, the memory of privatisation was still fresh. The history of homes and the actions associated with them vividly reflect recent major societal changes. People and political systems come and go, but houses remain in place.

The film runs for 38 minutes and is in Estonian and French with English subtitles.

Diana Tamane’s 2022 debut feature-length documentary Under the Same Sky portrays three generations of women: grandmother Tamara, born in Ukraine; mother Irina, born in Latvia; and daughter Sonya, who grew up in Spain. For nearly twenty years, they have lived in the tourist town of Fuengirola on the Costa del Sol in Spain. Between them, they have experienced life in the Soviet Union as well as in a globalised, market-driven Europe, making them a vivid example of the multicultural family dynamics created by geopolitical history.

The film runs for 55 minutes and is in Russian with Estonian subtitles.

 

Schedule

15:30 Curator’s tour at the exhibition My Home, Our City
17:00 Eleonore de Montesquiou’s film My House Is My Country
17:50 Diana Tamane’s film Under the Same Sky

Eleonore de Montesquiou 2001. aasta film „Minu maja on minu maa“ koosneb Tallinna kodude lugudest. Eri rahvusest ja vanuses naiste sõnade kaudu avanevad paikadega seotud lood, kuuleme inimeste unistustest ja olmemuredest. Nullindate alguses oli erastamine veel värskelt mälus. Kodude ajalugu ja nendega seotud toimingud kõnelevad selgelt hiljutistest suurtest ühiskondlikest muutustest. Inimesed ja riigikorrad tulevad ning lähevad, aga majad püsivad ikka paigal.

Film kestab 38 minutit ning on eesti ja prantsuse keeles ingliskeelsete subtiitritega.

Diana Tamane 2022. aastal esilinastunud maaliline dokumentaalfilm „Sama taeva all“ portreteerib Ukrainas sündinud vanaema Tamarat, Lätis sündinud ema Irinat ja Hispaanias üles kasvanud tütar Sonyat, kes on nüüdseks ligi kakskümmend aastat elanud Hispaanias Costa del Solis Fuengirola turismilinnas. Kolme peale on nad kogenud elu nii Nõukogude Liidus kui ka globaliseerunud ja turumajanduslikus Euroopas, muutes nad ilmekaks näiteks geopoliitilise ajaloo tekitatud perekonnasisesest mitmekultuursusest.

Film kestab 55 minutit ja on vene keeles eestikeelsete subtiitritega.

 

Ajakava
 

15.30 kuraatorituur näitusel „Minu kodu, meie linn“

17.00 Eleonore de Montesquiou „Minu maja on minu maa“

17.50 Diana Tamane film „Sama taeva all“

PREMIERE DE PHOENIX KATJA

Phoenix Katja 

Gaieté Lyrique, 21 novembre 16h

Festival Rencontres Internationales / accès libre

J'ai la grande joie de vous inviter tous à la Première de Phoenix Katja à la Gaieté lyrique, jeudi 21 novembre, 16h, dans le cadre du festival Rencontres Internationales.

tout le programme: https://www.art-action.org/site/en/prog/index.php

33 Monsters -- reading fragments of a novel

KUNSTIHOONE WORKSHOP, September 2024

we celebrated our freedom to explore themes of love and identity in a 3 days workshop, crafting masks, choosing excerpts from the novel 33 Monsters, by Lydia Zinovieva Annibal, reading, transforming this historical piece into a dynamic performance

the creation process was filmed, please follow the link

thank you to all the participants, it was a wonderful work together

33 Monsters reading theater - Kunstihoone pavilion workshop

 33 Monsters reading theater - Kunstihoone paviljon workshop

Join us for an immersive reading theatre based on 33 Monstersa fictional diary written in 1907 by Lydia Zinovieva-Annibal.

The story explores the love between a young woman and an older woman in St. Petersburg,

blending themes of feminism and queer relationships that resonate today.

The creation process of the 33 Monsters reading theatre will be filmed and shared with the public!

Part 1: Masks Workshop 

Led by: Varvara Toropkova and Nadya TjuskaParticipants will create personalised masks and select scenes from the novel for the performance. If you cannot attend the mask-making session, you are welcome to use masks made by others during the workshop.

Part 2: Reading Theatre & Filming

With Eleonore de Montesquiou, Varvara Toropkova and Nadya Tjuska

Introduction by: Eleonore de Montesquiou, Rebeka Põldsam and Jenny Zinovieff

____

Мастер-класс и участие в коллективном творчестве с Элеонорой де Монтеcкью

Присоединяйтесь к нам для участия в спектакле иммерсивного литературного театра

по мотивам повести «33 урода» — вымышленного дневника, написанного в 1907 году

Лидией Зиновьевой-Аннибал. История исследует любовные отношения между юной

женщиной и женщиной постарше, разворачивающиеся в Санкт-Петербурге,

сочетая в себе актуальные и сегодня темы феминизма и квир-отношений.

Мы приглашаем молодежь, владеющую русским и/или английским языком, творчески подойти к этому тексту, демонстрируя свободу в исследовании вопросов любви и идентичности. Участники создадут собственные маски и выберут отрывки из повести для чтения в этих масках, превращая исторический текст в динамическое представление.

Процесс создания литературного спектакля «33 урода» будет заснят и показан широкой публике!

Часть 1: Мастерская по созданию масок

Руководители: Варвара Торопкова и Надя Тюска

Участники создадут персонализированные маски и выберут сцены из романа для выступления. Если вы не сможете присутствовать на сессии по созданию масок, вы можете использовать маски, созданные другими участниками.

Часть 2: Спектакль литературного театра и съемки

Участвуют: Элеонора де Монтеcкью, Варвара Торопкова и Надя Тюска

Введение: Элеонора де Монтеcкью, Ребека Пыльдсам и Дженни Зиновьефф

Зарегистрируйтесь здесь: https://forms.gle/Q2xESZnT4G9NisjX8

'We don't want to be stars, Amsterdam

You are cordially invited to 'We don't want to be stars (but parts of constellations)' on Friday (starting at 17:00), Saturday (starting at 12:00), Sunday (starting at 13:00) 20 - 22 September, 2024. Please scan or click the QR code below to access the program booklet.

Every day informal reading groups with amongst others Margit Säde and Ivana Vaseva; performances by Natalia Papaeva, Viktorija Ilioska, Fani Konstantinidou, and Doe Maar Niet; a performative reading by Alaa Abu Asad; workshops by Lianne van Roekel and Mint Park; Femke Ravensbergen, and Elke Uitentuis; films by Sojung Jun and Eléonore de Montesquiou; a group conversation with Stefano Harney; and cooking and eating with Mohamed Alnoor Hedjaab!

 

'We don't want to be stars (but parts of constellations)' revolves around the question: How do we create a meeting place for practicing and honing the art of mutually dependent coexistence? The three-day symposium is, so to say, a cooperative gathering in which the common is not defined in terms of identity but as the work of connection and the alliance between (local) communities, human and nonhuman, that act, build, and create in common. As such, the symposium can be understood as an ongoing experiment in which we engage in a kind of improvised study by 'talking and walking around with other people, working, dancing, suffering,’ [1] and passing time together. All while eating collectively prepared Sudanese meals.

 

The program is in English. Yet at times it weaves in Buryat, Korean, Sudanese and Dutch.