Jūrmala
a film by:
Laura Horelli, Brigitta Kuster, Nina Lassila, Agnese Luse, Angela Melitopoulos, Eléonore de Montesquiou,
Tanja Ostojić, Meggie Schneider, Isabell Spengler, Gitte Villesen
Laura Horelli, Brigitta Kuster, Nina Lassila, Agnese Luse, Angela Melitopoulos, Eléonore de Montesquiou,
Tanja Ostojić, Meggie Schneider, Isabell Spengler, Gitte Villesen
Lettland/Deutschland 2010/2016 Digital file (shot on Super8) 10 min
May 12th, 2016, 5pm, cinema Arsenal,
Potsdamer Straße 2, 10785 Berlin
*Projection Instructions Morgan Fisher USA 1976 16 mm 4 min
*Hand Catching Lead Richard Serra USA 1968 16 mm 3 min
Hand Work Cédric Gaul-Berrard Frankreich 2010 16 mm 4 min
*Go! Go! Go! Marie Menken USA 1963 16 mm 12 min
*Handtinting Joyce Wieland Kanada 1967 16 mm 6 min
*Remedial Reading Comprehension George Landow USA 1970 16 mm OF 5 min
*Water Sark Joyce Wieland Kanada 1966 16 mm OF 13 min
*Mit mir Kerstin Cmelka Deutschland/Österreich 2000 16 mm 3 min
*Her Mona Klaus Telscher Deutschland 1992 16 mm 7 min
*Cue Rolls Morgan Fisher USA 1974 16 mm OF 6 min
*Jūrmala Laura Horelli, Brigitta Kuster, Nina Lassila, Agnese Luse, Angela Melitopoulos, Eléonore de Montesquiou,Tanja Ostojić, Meggie Schneider, Isabell Spengler, Gitte Villesen
Lettland/Deutschland 2010/2016 Digital file 10 min
*Faire un Effort Fluxfilm (Film 40) Benjamin Vautier USA 1969 16 mm 2 min
Introduction: Stefanie Gaus und Björn Speidel
This program to accompany a seminar by the Udk Art and Media course is dedicated to the materiality and corporeality of filmmaking with analogue film. PROJECTION INSTRUCTIONS (1976) by Morgan Fisher appeals to the conditions of the apparatus. In WATER SARK (1966), the camera functions as an instrument of investigation, when Joyce Wieland shines both before it and behind it at the kitchen table. Marie Menken described GO! GO! GO! (1963) as a "tour de force of human activity" in which different footage inscribes New York’s age and consciousness into the image. Maintaining principles and taking care of repetition is what drives HER MONA (1992) by Klaus Telscher. Particular emphasis should be given to the world premiere of JŪRMALA (2010–2016), which emerged from a collaborative manifesto by Laura Horelli, Brigitta Kuster, Nina Lassila, Agnese Luse, Angela Melitopoulos, Eléonore de Montesquiou, Tanja Ostojić, Meggie Schneider, Isabell Spengler and Gitte Villesen. (sg/bs) (12.5.)
Videoart at Midnight at Berlinische Galerie
we are very pleased to announce that on the occasion of the Gallery Weekend Berlin 2016
Berlinische Galerie
Museum of Modern Art | Landesmuseum für Moderne Kunst, Fotografie und Architektur
invites
Videoart at Midnight
an artists’ cinema project by Olaf Stüber and Ivo Wessel
Exhibition: Saturday, Apr 30th and Sunday May 1st, 2016, 10 am to 6 pm
Opening: Saturday, Apr 30th, 12:00 | noon
Alte Jakobstraße 124-128
10969 Berlin
(Eintritt frei | admission free)
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10969 Berlin
(Eintritt frei | admission free)
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